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The display of la bandera puertorriqueña was pretty common all year long throughout the five boroughs of New York City, waving from car antennas, painted on wall murals, or draped from windows, fire escapes and card hoods; but from the end of May until the middle of June,prior to and during the National Puerto Rican Day Parade in Manhattan (always the second Sunday in June), it reaches its peak. It is hard to walk anywhere in the City without seeing the image proudly displayed or worn. Any item or apparel imaginable is adorned or decorated with the image: umbrellas, shorts, ties, fingernails, hats, jewelry, sunglasses. This was especially true from the late 1990s through the early 2000s. It appears as if this custom may have peaked a few years ago, and during the last few years the flag seems to be less visible in the time period leading up to the parade. This latest trend may have arisen due  to do with grassroots and official campaigns intended to make sure the flag is used only in a respectful manner,  a decline in the flag fever pitch of those years and recent economic and environmental crises on the island leading many to use a black and white monoestrellada to represent the dual ideas of mourning and resistance.

All of us as have two experiences in common — birth and death.  One is greeted with joy and celebration; the other is often accompanied by a wide range of emotions such as fear, relief, sorrow, joy, grief, and loss.  In the process of dying, and in death itself, cultural practices and rituals play a key role in the individual’s and family’s experience of end-of-life. Understanding how death and dying have come to be expressed in culturally-specific traditions and diverse art forms offers remarkable insight into end-of-life situations, allowing healthcare professionals to develop essential cultural competencies and increased empathy.

The End-of-Life Toolkit is a set of resources that accompanies an eLearning course entitled “Heritage to Health:  Harnessing the Power of the Arts for End-of-Life Care”.  The Toolkit provides resources on death and dying, geared to both health professionals and the public.  It contains links to textbooks, stories, poems, cultural perspectives on death and dying, as well as compelling video clips, examples of various art forms, and “how to” information for creating various types of memorials when an individual passes away.  The Toolkit expands the opportunities for healthcare providers to enhance their skills in end-of-life care through the use of the Arts. It focuses on ways to create a culturally sensitive yet individualized environment for those at the end-of-life, using the Arts as a clinical tool for supporting patients’ beliefs, traditions, and customs in a meaningful way.

Developed by City Lore and the Nurse Practitioner Healthcare Foundation. Funded by the Robert Wood Johnson Foundation and the National Endowment for the Arts.

Documentary interview with Chi-Chung Kim, a folklorist who specializes in Korean percussive music, by Vong Pak at Mr. Kim's home in Queens. Chi-Chung Kim speaks about his 70 years playing Korean traditional pungmul percussive music and what Korean music means to him."

The song, Chedoe, performed by Salieu Suso, is like poetry and story that is created by the Jali but it is informed by the community. As a djeli or griot, I am equal part oral historian, poet, storyteller, and musician.  My art is found in the music, the story being told, the syncopation between voice, and Kora, and the ability to keep the audience engaged and participate.

 Gaga Music