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The display of la bandera puertorriqueña was pretty common all year long throughout the five boroughs of New York City, waving from car antennas, painted on wall murals, or draped from windows, fire escapes and card hoods; but from the end of May until the middle of June,prior to and during the National Puerto Rican Day Parade in Manhattan (always the second Sunday in June), it reaches its peak. It is hard to walk anywhere in the City without seeing the image proudly displayed or worn. Any item or apparel imaginable is adorned or decorated with the image: umbrellas, shorts, ties, fingernails, hats, jewelry, sunglasses. This was especially true from the late 1990s through the early 2000s. It appears as if this custom may have peaked a few years ago, and during the last few years the flag seems to be less visible in the time period leading up to the parade. This latest trend may have arisen due  to do with grassroots and official campaigns intended to make sure the flag is used only in a respectful manner,  a decline in the flag fever pitch of those years and recent economic and environmental crises on the island leading many to use a black and white monoestrellada to represent the dual ideas of mourning and resistance.

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Material Culture

Onöndowa’ga:’ (Seneca) bone and antler carver, Hayden Haynes (Deer Clan), shares his inspirations, creative process, and the multifaceted approach he employs to hone his skills and revitalize the ancestral craft within his community.

Community: 
City Lore
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Material Culture

Teaching Artist, Dancer and Choreographer Malini Srinivasan performs a Bharatanatyam Dance of the story of the Mustard Seed.

All of us as have two experiences in common — birth and death.  One is greeted with joy and celebration; the other is often accompanied by a wide range of emotions such as fear, relief, sorrow, joy, grief, and loss.  In the process of dying, and in death itself, cultural practices and rituals play a key role in the individual’s and family’s experience of end-of-life. Understanding how death and dying have come to be expressed in culturally-specific traditions and diverse art forms offers remarkable insight into end-of-life situations, allowing healthcare professionals to develop essential cultural competencies and increased empathy.

The End-of-Life Toolkit is a set of resources that accompanies an eLearning course entitled “Heritage to Health:  Harnessing the Power of the Arts for End-of-Life Care”.  The Toolkit provides resources on death and dying, geared to both health professionals and the public.  It contains links to textbooks, stories, poems, cultural perspectives on death and dying, as well as compelling video clips, examples of various art forms, and “how to” information for creating various types of memorials when an individual passes away.  The Toolkit expands the opportunities for healthcare providers to enhance their skills in end-of-life care through the use of the Arts. It focuses on ways to create a culturally sensitive yet individualized environment for those at the end-of-life, using the Arts as a clinical tool for supporting patients’ beliefs, traditions, and customs in a meaningful way.

Developed by City Lore and the Nurse Practitioner Healthcare Foundation. Funded by the Robert Wood Johnson Foundation and the National Endowment for the Arts.

Community: 
City Lore
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Dance

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Belief

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Trinidadian dancer, singer and poet Michael Manswell evokes the Yoruba God Oyá, customs officer for the dead.

All of us as have two experiences in common — birth and death.  One is greeted with joy and celebration; the other is often accompanied by a wide range of emotions such as fear, relief, sorrow, joy, grief, and loss.  In the process of dying, and in death itself, cultural practices and rituals play a key role in the individual’s and family’s experience of end-of-life. Understanding how death and dying have come to be expressed in culturally-specific traditions and diverse art forms offers remarkable insight into end-of-life situations, allowing healthcare professionals to develop essential cultural competencies and increased empathy.

The End-of-Life Toolkit is a set of resources that accompanies an eLearning course entitled “Heritage to Health:  Harnessing the Power of the Arts for End-of-Life Care”.  The Toolkit provides resources on death and dying, geared to both health professionals and the public.  It contains links to textbooks, stories, poems, cultural perspectives on death and dying, as well as compelling video clips, examples of various art forms, and “how to” information for creating various types of memorials when an individual passes away.  The Toolkit expands the opportunities for healthcare providers to enhance their skills in end-of-life care through the use of the Arts. It focuses on ways to create a culturally sensitive yet individualized environment for those at the end-of-life, using the Arts as a clinical tool for supporting patients’ beliefs, traditions, and customs in a meaningful way.

Developed by City Lore and the Nurse Practitioner Healthcare Foundation. Funded by the Robert Wood Johnson Foundation and the National Endowment for the Arts.

Community: 
City Lore
Traditions: 

Ritual

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Belief

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BPL Ambassador, Saratu Mshelia’s tutorial is to teach how to hand sew a Buba Blouse, a traditional Yoruba blouse of Southwestern Nigeria, as she tells us about her journey starting a fashion business based on Nigerian textiles.

Traditions: 

Material Culture

Documentary interview with Chi-Chung Kim, a folklorist who specializes in Korean percussive music, by Vong Pak at Mr. Kim's home in Queens. Chi-Chung Kim speaks about his 70 years playing Korean traditional pungmul percussive music and what Korean music means to him."

Traditions: 

Music

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Learn about the Italian American St. Joseph's Table tradition in Western New York, as Bernice Falsone Hotchkiss introduces the foods and customs of the observance.

The St. Joseph's Day Table is a primarily Italian American tradition that honors the saint on his feast day, March 19. It recalls the answer to prayers for rain from drought-stricken faithful in Sicily in the Middle Ages, and their subsequent offering of a meal for travelers, strangers, the poor and the entire community in thanksgiving.  This video takes you to a Table hosted by Bernice Hotchkiss in 2019, where she describes the foods and recalls how she began learning the recipes from older women in her community. The accompanying notes give more details on the traditional foods, their symbolism and current practice in western New York. 

Community: 
GO Art
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Ritual

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Foodways

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Belief

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Porfiria Mijangos explains the elements of a traditional ofrenda for Day of the Dead in her region of Oaxaca, Mexico. Interview and footage are from the Day of the Dead celebration at Orleans YMCA, Medina, New York, November 1 2019. Members of her extended family built the large ofrenda seen here for the annual community-wide event.

Community: 
GO Art
Traditions: 

Ritual

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Foodways

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Material Culture

Belief

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The video documents the creation of a Oaxacan sand painting by Antonio Cruz Zavaleta, for Dia de los Muertos/Day of the Dead celebration on November 1, 2019, held at the Orleans County YMCA, Medina NY. 

Community: 
GO Art
Traditions: 

Ritual

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Material Culture

Belief

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Otgoä (wampum) is a vital part of Haudenosaunee culture. Wampum are shell beads that are created from whelk and quahog clam shells. The brittle pieces are rounded, sanded, and drilled to make a bead. Because of the effort that is needed to make a bead, wampum is highly valued.

Community: 
City Lore
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Material Culture

Haudenosaunee storytelling is not meant to just entertain but to also teach. Stories are used to warn against dangerous and bad behavior, uphold valued qualities, and teach good decision making. If you travel to different Haudenosaunee communities, you will discover that each community may have their own version of a story. There is no one version that is upheld over the others, but if you listen you will discover that although the details may be slightly different, the lessons taught remain the same.

Community: 
City Lore
Traditions: 

Material Culture

Learn from longtime carpenter Arthur Garabedian about growing up in the Armenian community in Niagara Falls, teaching carpentry at the renowned Trott Vocational School in Niagara Falls (NY), and his work on local community projects, including the front doors of St. Sarkis Armenian Church, which brightly feature his design of the Armenian cross.

Traditions: 

Material Culture

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